Axia
If I had written the whole truth to you, I dare to
Axia
But having given him the right to do this
Axia
And besides, I did not know the whole truth myself then. What made it all do difficult was that Dounia received a hundred rubles in advance when she too the place as governess in their family.
Axia
YOU CAN IMAGINE ALL SHE WENT THROUGH
Axia
In that matter she was right, even from the beginning on. They didn’t speak for some time, but the families came together again towards them.
Axia
Everyone in the neighborhood, and that

Axia

Axia Light

Axia Light Italic

Axia Regular

Axia Italic

Axia Bold

Axia Bold Italic

Axia Black

Axia Black Italic

Axia Stencil Light

Axia Stencil Black

Language Support & Font Formats

Format Options
OTF, WOFF, WOFF2, EOT, TTF

Designer
Sibylle Hagmann

Initial Release
2012

Language Coverage
Extended Latin

Styles
10

Version Number
V 1.0

Extended Latin character set covering the following languages:

Afrikaans, Albanian, Basque, Bosnian, Breton, Catalan, Cornish, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Faroese, Finnish, French, Frisian, Friulian, Gaelic (Manx), Gaelic (Scottish), Galician, German, Hawaiian, Hungarian, Icelandic, Indonesian, Irish, Irish Gaelic, Italian, Karelian, Latin, Latvian, Lithuanian, Luxemburgish, Maltese, Moldavian (Latin), Norwegian, Polish, Portuguese, Rhaeto-Romanic, Romanian, Sami, Serbian (Latin), Slovak, Slovenian, Sorbian, Spanish, Swahili, Swedish, Turkish, Welsh

All Roman and Italic weights include the same set of glyphs.

Desktop Fonts
Desktop fonts are in OpenType (.otf) format.

Webfonts
Webfonts are provided for self-hosting in .woff, .woff2, and .eot formats. All styles have been screen hinted to work in sizes 16 pixels and larger.

Mobile App Fonts
Mobile app fonts are in TrueType (.ttf) format.

Axia

Axia™ is a sans serif uni-widths of concise letterforms. The type consists of ten weights from Light to Black, each with Italics and Small Caps. Two display styles, Stencil Light and Stencil Black feature a unique aesthetic. A distinct fragmentation of the letters gives this stencil design its particular character. The type is perfect for captivating big sizes; shapes of abstract floating parts allure the eye and form nicely proportioned type when united.

Originally designed for the Rice University School of Architecture in 2011, this contemporary sans found some inspiration in the TwinCities typeface family created by Sibylle Hagmann for the University of Minnesota in 2003. Axia has been orchestrated from scratch, each the roman and italic weights harmonize perfectly in width without a changing line length. Text set in Light or Black results in the same, economical fit.

The inner arched strokes off the stem on the lowercase ‘b’ and ‘d’, for example, progressively open the letterforms and express conceptual clarity throughout the system. A feature doing double duty, it contributes to great legibility in heavier weights, and attributes to versatility of individual styles. Axia includes many OpenType features and offers broad language support.